directed by=Michael Mann

Review=The difficult 1930s is a time of robbers who knock over banks and other rich targets with alarming frequency. Of them, none is more notorious than John Dillinger, whose gang plies its trade with cunning efficiency against big businesses while leaving ordinary citizens alone. As Dillinger becomes a folk hero, FBI head J. Edger Hoover is determined to stop his ilk by assigning ace agent Melvin Purvis to hunt down Dillinger. As Purvis struggles with the manhunt's realities, Dillinger himself faces an ominous future with the loss of friends, dwindling options and a changing world of organized crime with no room for him

country=USA

Drama, Crime

audience Score=263791 Vote

Writer=Ronan Bennett, Michael Mann

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Public enemies watch free trial. Thanks. Public Enemies Watch free download. Public Enemies Watch freedom. Public Enemies Watch free. Another one of those songs that gives me goose bumps. I love this scene so much, see a million time. I always loved Dillinger style 😁. They was gettin it in. Fantastic movie. I watch everything Michael Mann does. Check out Thief with James Caan. badass. Superman/batman public enemies watch free online. Public enemies watch free full. Cause thats where people put money...

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Public Enemies Watch free mobile. Being an admirer of Johnny Depp, I had to see this film. And again, it was a very solid performance in my opinion as John Dillinger. He wasn't the only one who shone here though. Christian Bale did just as good a job as Johnny's FBI counterpart. Furthermore I liked the (repeating)score, it fitted the atmosphere.
I didn't know John Dillinger's story before seeing this film. I only saw a trailer and read that John was a bit of a Robin Hood kinda guy. So for me, a plot twist would have been actually surprising.
I must say, looking at the story, it lacked surprises. On the other hand, the story of John Dillinger couldn't be radically changed of course. It is just the way it is. So keeping that in mind, than this is a good production.
If you like mafia/crime/heist movies, you'll probably think this film is at least OK. If you are interested in John Dillinger and know his story, it is probably even better. For me... I must say, I expected more of too high expectations.

Watch free online public enemies. Public Enemies Watch free online. Today the banks are the real criminals. Public enemies watch free t4. Every time i see this scene and his smirk. I have to smirk too.

That would be awesome if men still dressed like that. So much class

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@joniwone Hey I'm with you all the way. Public enemies watch free games. Whats the name of the tune. Rod Serling from the Twilight Zone is the narrator. Public enemies watch online free. Public Enemies Watch free software. Two minutes in and feels like the shootout's been going forever! First time I saw this, I was baked out of my mind and holy shit it was amazing. I like Michael Mann, and I like gangster movies; but the trailers on this were not inviting - flashy, slick, without a lot of tension. So I waited 'till the film got to the bargain theater. My pre-viewing apprehension proved to be spot on.
While there are a number of really fine set-pieces here, I haven't seen a film so utterly lacking in focus or theme in a long time. The bare story of the real John Dillinger is strong enough to carry the viewer of the film, but did the audience not know at least something of that story, it would be hard to follow story here, it goes all over the place. And I am shocked that we get to know so few of the characters here - it takes a while to recognize one G-Man from another, even after they have become important to the narrative (such as it is.
It's hard to figure out why Mann decided to go wild with the historical inaccuracy; I'll mention one I found most annoying, first because it is a seemingly small matter, but it also reflects two larger problems. I'm referring to the repeated use of Billie Holiday on the soundtrack - she's even on the radio whenever Dillinger turns it on - unfortunately, she wasn't known during the early Thirties, she was just starting out! It's clear someone wants to make a point by playing her that often - but I haven't got the foggiest idea what it is? Is Dillinger supposed to be a 'black white man' like they say of Bill Clinton? Is his career a foreshadow of Hollidays's? Couldn't they find any other period music to play? Which remarks the soundtrack itself, which is one of the worst in a major motion picture in recent years - it's a mess, evoking a dozen different emotions, almost none having anything to do with the images we're watching at the moment.
The dialog is needlessly pretentious. One thing I feared was having to compare this film to John Milius' Dillinger" with Warren Oates - but the comparison can't be avoided. Milius, taking his cue from "Bonnie And Clyde, from the earlier Lawrence Tierney film "Dillinger, and from the gaudy gangster films of Roger Corman, fashioned a film that was both flashy yet homespun, part unabashed B-movie, part evocation of American Gothic. Milius' film is by far the better of the two. Even his occasional tinkering with historical accuracy could be forgiven, since it was clear he had a firm grasp on what the Dillinger phenomenon was really all about. farm boy makes good by turning bad' is an undeniable folk-theme of American life.
But Mann clearly - and desperately - wants Dillinger to be a real hero, not only of his time but ours. This is the most romanticized version of Dillinger - of any American outlaw - I've ever seen, making the many cinematic apologies for Jesse James seem like harsh condemnations by comparison. But it can't be done. The brilliance of Warren Oates' performance in the Milius film is that Oates plays Dillinger like a runaway farm-boy with a sense of humor and a quick temper, who just happened to rob banks for a living. That's as much as you can give any professional criminal without lying about the nature of crime namely, it's about stealing other peoples' money and hurting many of them in the process. The cowardly punk Dillinger as performed by Lawrence Tierney is probably even closer to the truth. But the sum of all this is not simply that Mann has romanticized Dillinger; that, in a B-movie at least, could have been forgiven. The real problem is that he sentimentalizes the bandit. This turns the whole shenanigans soft like mush, instead of the hard-boiled crime film we should have gotten.
And this leads into one of the worst finales in film history, dragging on and on, and even after we know the story is done - it still goes on, trying to turn itself into a tear-jerker! What a waste!
And what a disappointment from Michael Mann. And don't blame the actors, as some critics have done - they're actually trying to do a good job - but the script is poor, and Mann can't think of any way to direct it properly.

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Any body else notice when that one guy runs up the tree at like 0:32, he has a 30 round stick magazine, when the camera switches, it shows a 50 round magazine, then switches to a 30 round stick again.